Filmed and edited by Jan Vozenilek

Music by Christen Lien

Filmed and edited by Jan Vozenilek
Narrated by Chris Jordan
Written by Victoria Sloan Jordan
Music by Christen Lien

Exact Location on BlooSee

Video by Jan Vozenilek
Written by Victoria Sloan Jordan
Music by Christen Lien

Filmed by Victoria Sloan Jordan
Music by Christen Lien

Jan Vozenilek captures the presence and vulnerability of the fledgling birds of Midway in this next installment of his Brushstrokes vignettes.

Filmed and edited by: Jan Vozenilek
Written by: Victoria Sloan Jordan
Music by: Christen Lien

The island will soon be covered with tens of thousands of carcasses like this, as the plastic-filled birds die from starvation, dehydration, and choking.

Video by: Jan Vozenilek

Music by: Christen Lien

Well, not on Midway Atoll. On their second day on the island, Chris Jordan, Jan Vozenilek and the rest of the Midway Journey team are adopted as brothers and sisters by the charismatic albatrosses of Midway. These magnificent creatures inhabit the vast and solitary expanses of the North Pacific. A world of broad horizons, trade winds, passing storm clouds, and hundreds of shades of blue. A space of primeval purity that has changed little for millions of years.

Unchallenged by predators, these masters of the skies are intrigued by the proximity of unfamiliar two-legged creatures. Thus, the examiners become the examined, and the photographers have their lenses scrutinized and pecked by birds so fearless, and open to the possibilities, that instantly awaken the child inside of us.

Video by: Jan Vozenilek

Music by: Christen Lien

Written by: Manuel Maqueda

Thank you for your patience as we have taken a few days to find our bearings and connect to the Internet.  We are astonished and delighted to find ourselves back here again on remote Midway Atoll.  The tiny island is now covered with several hundred thousand fledgling albatrosses inhabiting the paths, walkways, roads, meadows, and even the runway.

It’s hard to describe the complex mixture of feelings that arise in the presence of this incredible abundance of wildlife, especially as we are keenly aware of the devastating effects of the plastic that fills the stomachs of a huge percentage of these young birds.  One purpose of this leg of our journey is to witness their annual die-off, which will result in thousands of plastic-filled carcasses covering the ground as we saw when we visited here last September.

We’ve already begun to acquaint ourselves with the new stories that this chapter of our journey holds, and we look forward to sharing them with you over the next couple of weeks.  Thank you for joining us in this process.

With warm regards from Midway Atoll,

Chris, Victoria, Jan & Joe

Video by: Jan Vozenilek    Vimeo.com/JanVozenilek

Music by: Christen Lien  itsnotaviolin.com

See the area where this video was filmed on BlooSee’s satellite imagery.

As my team and I prepare to travel back to Midway Atoll, I cannot help but note the macabre juxtaposition of the environmental disaster that is happening in the Pacific Ocean, with the one that is happening in the Gulf of Mexico. The two phenomena are oddly parallel, involving (among other grotesque features) the deaths of untold numbers of sea birds, caused by millions of tons of our petroleum products that have poured into the ocean via our collective negligence. And in each case the birds can be viewed as messengers, serving as one small warning signal of a much larger calamity, with global consequences, in which our individual consumer lifestyles are unavoidably complicit.

My friend the artist Richard Lang says the opposite of beauty is not ugliness, but indifference. For me this means that to live ethical lives, we are called to turn toward the staggering enormity of human-caused catastrophes like the Pacific Garbage Patch and the Gulf Oil Disaster, opening our hearts to their horrors, and taking the risk that we might be overwhelmed by the potent feelings this process brings up in us. I can see no other acceptable approach, yet I fear that by dwelling on the awfulness of these tragedies—and the smorgasbord of others we survey in the news every day—we may lose our already tenuous connection with life’s beauty, mystery, humor, and joy. I want to learn to stand in the paradox of these conflicting realities, turning more fully toward each of them despite the anxiety involved, as they generate their respective teachings about what it means to live as an engaged citizen in our times.

These are some thoughts and intentions I carry in mind, as we journey back to Midway to document another chapter in the richly metaphoric intersection of the mythic albatross and the ten million tons of plastic pollution that swirl in the remote waters of the North Pacific. I invite you to follow our expedition as we blog from the island on midwayjourney.com, and as we release our photographs, writings, and the documentary film that will follow.

Happy July to all, with warm regards from Seattle,

~cj

Midway Journey members Chris Jordan, Manuel Maqueda, Jan Vozenilek and Bill Weaver reunited in May 2010 to attend the Media that Matters conference in Hollyhock, Cortes Island, British Columbia, Canada.

Music by Christen Lien

Video by Jan Vozenilek

An HD version can be viewed here.

Images and video: Chris Jordan.  Music: Christen Lien

The original quicktime file (103 MB) can be downloaded fron this link.

In Chris’ words:

These photographs of albatross chicks were made just a few weeks ago on Midway Atoll, a tiny stretch of sand and coral near the middle of the North Pacific. The nesting babies are fed bellies-full of plastic by their parents, who soar out over the vast polluted ocean collecting what looks to them like food to bring back to their young. On this diet of human trash, every year tens of thousands of albatross chicks die on Midway from starvation, toxicity, and choking.

To document this phenomenon as faithfully as possible, not a single piece of plastic in any of these photographs was moved, placed, manipulated, arranged, or altered in any way. These images depict the actual stomach contents of baby birds in one of the world’s most remote marine sanctuaries, more than 2000 miles from the nearest continent.

More details on Chris’ photography ethic can be found here.

The full selection of photographs released to date can be viewed here.

During our journey, Jan would occasionally steal away from the group, and wander alone in the island with his camera.  The rest of us would wonder where he was, and what kind of footage he would be capturing.

The scenes on Brushstrokes 2 speak of moments of intimacy, where the cinematographer is alone in the field, tuning into the pulse of the land, and letting its natural beauty tell an ancient story of survival and renewal.

In this short video lies a reverence for nature so profound, that our eye has to concentrate on the small details, and peek shyly through blades of grass, lest the direct contemplation of the greatness of it all be overwhelming.  As we watch, we feel the emergence of that peculiar sense wonder that is often thought to belong only to childhood.  A sense of awe and discovery that we are taught to suppress and forget as we grow up.

As time slows down, and the rays of golden light fall gently on the tortured landscape of Midway, subtle brushstrokes of natural beauty are painted over a canvas too many times torn and blotted by the blindness of man.

Video by Jan Vozenilek. Music by Vanessa LeBourdais.

Video by: Jan Vozenilek.  Voiceover: Victoria Sloan Jordan.

Music by Christen Lien

Matt Brown, Manager of the Midway Atoll National Wildlife Refuge, took us on a tour of Eastern Island as he and two volunteers inspected three fresh water ponds occupied by extremely rare and endangered Laysan Ducks.  Eastern Island is entirely crisscrossed by abandoned runways dating back to World War II, today almost unrecognizable under a layer of vegetation that grows through cracks in the pavement.  While nature slowly triumphs over dilapidated asphalt, iron and cement, Eastern Island has not escaped the onslaught of plastic pollution, which is present everywhere.

Video by Bill Weaver. Cinematography by Jan Vozenilek. Voiceover by Chris Jordan. Interviewee: Matt Brown. Music by Vanessa LeBourdais.

I heard the sound of a motor approaching, and looked up to see one of the carts that the Thai maintenance crew uses to get around the island. The cart pulled up and stopped right next to me, and a Thai man stepped out. He was wearing canvas work coveralls and looked to be about fifty.

He smiled and made a slight bow, and after a short pause he pronounced two Thai syllables: “Kham… Wang.” Not sure what he meant, I repeated “Kham, Wang.” As I did that, he pointed to himself, and I realized he was telling me his name. So I pointed to myself and slowly said “Chris Jordan.” He repeated my name in a strong Thai accent: “Chizz Johdann.” I said “Kham Wang” again, trying to match his pronunciation of the nasal syllables.

Then Kham Wang noticed my camera, mounted on its tripod and aimed at the ground. He looked down and saw what I was photographing, and he gestured toward the bird with his hand. “Bebe,” he said in a quiet voice. “Bebe.”

It took me a moment to understand, and then I nodded and replied: “baby.”

We both stood there for a moment, looking down at the dead bird at our feet. Then Kham Wang looked back at me, and placed his hand on my shoulder, and said “Chizz Johdann.” I put my hand on his shoulder and gave my best “Kham Wang” once again. And with gentle smile, Kham Wang got back in his cart and drove on down the path.

~cj

Video by Bill Weaver, voice over by Chris Jordan. Music by Christen Lien.

So much plastic, and in such bizarre combinations of objects and colors, that we recently posted a video in which Chris explains his photography ethic: no plastic is added to any photo, and the plastic is never rearranged.

It will be more than a month before Chris’ photos are processed and released. This morning Chris decided to offer a glimpse of what these carcasses look like.

Kittipong Janthasang is a Bangkok native who has lived on Midway for three years. We can find him pulling invasive weeds from the fields and also bartending at the island’s only pub during its brief hours of operation. Kittipong’s passion, however, is wildlife photography. In his spare time, he goes out with his camera and patiently and delicately captures intimate portraits of the natural beauty of Midway. Amazing photos that, until now, were confined to his laptop, and shared only with his friends on the island. It has been an honor for us at Midway Journey to discover the excellent body of photographic work by Kittipong, and to have the opportunity to post a selection of his images online for the first time, in the form of this slide show.

Kittipong’s photographic work conveys a contagious, heartfelt reverence for nature, and offers the viewer a rare and invaluable look into the immense natural wealth of Midway.

Photography by Kittipong Janthasang. Slide Show edited by Jan Vozenilek.  Music by Christen Lien.

Those interested in Kittipong’s photography can contact him at kittipong-p at hotmail dot com.