Filmed and edited by Jan Vozenilek

Music by Christen Lien

Filmed and edited by Jan Vozenilek
Narrated by Chris Jordan
Written by Victoria Sloan Jordan
Music by Christen Lien

Exact Location on BlooSee

Video by Jan Vozenilek
Written by Victoria Sloan Jordan
Music by Christen Lien

Filmed by Victoria Sloan Jordan
Music by Christen Lien

Jan Vozenilek captures the presence and vulnerability of the fledgling birds of Midway in this next installment of his Brushstrokes vignettes.

Filmed and edited by: Jan Vozenilek
Written by: Victoria Sloan Jordan
Music by: Christen Lien

The island will soon be covered with tens of thousands of carcasses like this, as the plastic-filled birds die from starvation, dehydration, and choking.

Video by: Jan Vozenilek

Music by: Christen Lien

Thank you for your patience as we have taken a few days to find our bearings and connect to the Internet.  We are astonished and delighted to find ourselves back here again on remote Midway Atoll.  The tiny island is now covered with several hundred thousand fledgling albatrosses inhabiting the paths, walkways, roads, meadows, and even the runway.

It’s hard to describe the complex mixture of feelings that arise in the presence of this incredible abundance of wildlife, especially as we are keenly aware of the devastating effects of the plastic that fills the stomachs of a huge percentage of these young birds.  One purpose of this leg of our journey is to witness their annual die-off, which will result in thousands of plastic-filled carcasses covering the ground as we saw when we visited here last September.

We’ve already begun to acquaint ourselves with the new stories that this chapter of our journey holds, and we look forward to sharing them with you over the next couple of weeks.  Thank you for joining us in this process.

With warm regards from Midway Atoll,

Chris, Victoria, Jan & Joe

Video by: Jan Vozenilek    Vimeo.com/JanVozenilek

Music by: Christen Lien  itsnotaviolin.com

See the area where this video was filmed on BlooSee’s satellite imagery.

Midway Journey members Chris Jordan, Manuel Maqueda, Jan Vozenilek and Bill Weaver reunited in May 2010 to attend the Media that Matters conference in Hollyhock, Cortes Island, British Columbia, Canada.

Music by Christen Lien

Video by Jan Vozenilek

An HD version can be viewed here.

Images and video: Chris Jordan.  Music: Christen Lien

The original quicktime file (103 MB) can be downloaded fron this link.

In Chris’ words:

These photographs of albatross chicks were made just a few weeks ago on Midway Atoll, a tiny stretch of sand and coral near the middle of the North Pacific. The nesting babies are fed bellies-full of plastic by their parents, who soar out over the vast polluted ocean collecting what looks to them like food to bring back to their young. On this diet of human trash, every year tens of thousands of albatross chicks die on Midway from starvation, toxicity, and choking.

To document this phenomenon as faithfully as possible, not a single piece of plastic in any of these photographs was moved, placed, manipulated, arranged, or altered in any way. These images depict the actual stomach contents of baby birds in one of the world’s most remote marine sanctuaries, more than 2000 miles from the nearest continent.

More details on Chris’ photography ethic can be found here.

The full selection of photographs released to date can be viewed here.

Matt Brown, Manager of the Midway Atoll National Wildlife Refuge, took us on a tour of Eastern Island as he and two volunteers inspected three fresh water ponds occupied by extremely rare and endangered Laysan Ducks.  Eastern Island is entirely crisscrossed by abandoned runways dating back to World War II, today almost unrecognizable under a layer of vegetation that grows through cracks in the pavement.  While nature slowly triumphs over dilapidated asphalt, iron and cement, Eastern Island has not escaped the onslaught of plastic pollution, which is present everywhere.

Video by Bill Weaver. Cinematography by Jan Vozenilek. Voiceover by Chris Jordan. Interviewee: Matt Brown. Music by Vanessa LeBourdais.

I heard the sound of a motor approaching, and looked up to see one of the carts that the Thai maintenance crew uses to get around the island. The cart pulled up and stopped right next to me, and a Thai man stepped out. He was wearing canvas work coveralls and looked to be about fifty.

He smiled and made a slight bow, and after a short pause he pronounced two Thai syllables: “Kham… Wang.” Not sure what he meant, I repeated “Kham, Wang.” As I did that, he pointed to himself, and I realized he was telling me his name. So I pointed to myself and slowly said “Chris Jordan.” He repeated my name in a strong Thai accent: “Chizz Johdann.” I said “Kham Wang” again, trying to match his pronunciation of the nasal syllables.

Then Kham Wang noticed my camera, mounted on its tripod and aimed at the ground. He looked down and saw what I was photographing, and he gestured toward the bird with his hand. “Bebe,” he said in a quiet voice. “Bebe.”

It took me a moment to understand, and then I nodded and replied: “baby.”

We both stood there for a moment, looking down at the dead bird at our feet. Then Kham Wang looked back at me, and placed his hand on my shoulder, and said “Chizz Johdann.” I put my hand on his shoulder and gave my best “Kham Wang” once again. And with gentle smile, Kham Wang got back in his cart and drove on down the path.

~cj

Video by Bill Weaver, voice over by Chris Jordan. Music by Christen Lien.

I’m confused by the abundant life and abundant plastic pollution here.  It’s easy to slip into a fantasy that a sort of balance has been achieved on Midway Atoll.  Birds nesting amidst plastic cigarette lighters, bottle caps, toys, umpteen bits and pieces of plastic; turtles pulling up on the beach to rest among plastic buoys and ghost nets and fuel containers; seals frolicking under the pier with discarded shampoo bottles – all of it getting along, or so it seems from a cartoon view.  But then you begin to encounter the decaying bodies of albatross, almost all of them containing some amount of plastic, and some completely choked with it that there’s no mystery how this bird died.

How can I possibly continue to contribute to the stream of plastic into our waterways and oceans after seeing the albatross stuffed with plastic?   Matches, people.  Glass, metal.  Re-use!  Forget recycling, it’s not happening, and when it’s plastic it’s called down-cycling, anyway.  What happens when we are up to our eyeballs in fleece and carpet and plastic decking?

I will go home a changed person after this trip.  I’ve been an uber-recycler for most of my adult life.  But now I can see that recycling is not the answer.  We just need to stop making so much plastic.  From here forward, my own consumption of it, especially disposables, will be under a high-power microscope.  I’ll be considering every way in which I use plastic in my life, examining my wasteful habits more deeply, and asking myself what’s really important – a quick, disposable convenience or something with enduring value?  It’s a good lesson for me on how to use stuff, and also how to enrich my life.

Consider joining the discussion about plastics on our Facebook group by clicking on the Discussion tab.

~Victoria Sloan Jordan

So much plastic, and in such bizarre combinations of objects and colors, that we recently posted a video in which Chris explains his photography ethic: no plastic is added to any photo, and the plastic is never rearranged.

It will be more than a month before Chris’ photos are processed and released. This morning Chris decided to offer a glimpse of what these carcasses look like.

Midway Atoll is a place of ancient power. A revered elder in a long dynasty of fire that once stretched from Kure Atoll to Kaua’i.  Flowers of molten lava that bloomed and decayed with the long seasons of geology, and left a marine landscape strewn with exquisite petals of azure.

In the Hawaiian tradition, the rosary of atolls that form the Northwestern Hawaiian Islands represents a long lineage of Kupuna, ancestors, that live a solitary life, like hermits, in the heart of  Papahanaumokuakea,  the place where the union of Papa, the mother Earth, and Wakea, the paternal sky, “gives birth to the islands in the vast expanses”.  For the natives, this long line of small islands is not only the umbilical cord to their past, but also a series of stepping stones along an ancient route that leads their souls to the netherworld.  Leaping from island to island, the spirits of the dead advance westwards towards their meeting with Po, the great darkness, where they reunite with their dead relatives.

Understanding the significance of Midway in the Hawaiian tradition has added many layers of meaning to our journey.  Layers that fit together perfectly, even if we look at Midway from a literal perspective.  After all, the Hawaiian view of this island as an old elder has been corroborated by geology; and the notion that this place is a living organism fits perfectly with James Lovelock’s theories.

As for the souls and spirits that inhabit this place, they are present in every decaying building, in every trembling blade of grass that breaks through the tarmac of an abandoned runway, and in every glorious sunset over the turquoise waters of the lagoon.  Even those who don’t believe in the supernatural often feel a chill going down their spine when a white tern flutters and swoops over their heads, so close that one can feel a delicate whiff of warm wind with every flap of their wings of pure white.

And yet Midway is a land raped and tortured by man. A land destroyed, rebuilt, exploited, deformed and, these days, covered with rotting carcasses of albatross chicks full of plastic.  It is a hub for an intricate web of messages and  symbols that we came here to explore.  A place for witnessing, a place for learning, and a place, perhaps, for redemption.

I write these lines as we leave behind the middle point of our journey, and enter our final week on the island. By degrees, the pressure of accomplishing the tangible goals of our expedition is subsiding. And simultaneously, I feel the urgency to pursue and share the intangible.

I hope that sharing with you the significance of Midway in the Hawaiian tradition is a good place to start.  After all, who would have thought that here, where the union of Papa and Wakea gave birth to a tiny island in the vast expanses, the middle of nowhere could become not only the middle of somewhere, but also the beginning of everything?

-Manuel Maqueda

Kittipong Janthasang is a Bangkok native who has lived on Midway for three years. We can find him pulling invasive weeds from the fields and also bartending at the island’s only pub during its brief hours of operation. Kittipong’s passion, however, is wildlife photography. In his spare time, he goes out with his camera and patiently and delicately captures intimate portraits of the natural beauty of Midway. Amazing photos that, until now, were confined to his laptop, and shared only with his friends on the island. It has been an honor for us at Midway Journey to discover the excellent body of photographic work by Kittipong, and to have the opportunity to post a selection of his images online for the first time, in the form of this slide show.

Kittipong’s photographic work conveys a contagious, heartfelt reverence for nature, and offers the viewer a rare and invaluable look into the immense natural wealth of Midway.

Photography by Kittipong Janthasang. Slide Show edited by Jan Vozenilek.  Music by Christen Lien.

Those interested in Kittipong’s photography can contact him at kittipong-p at hotmail dot com.

Video by Bill Weaver